Monday 26 May 2014

Final major project evaluation.



My final major project theme is japan. I decided to do japan for my final major project because I am very interested in their traditions and art. I started researching into japan but not concentration on my subject of japan, but when I came across a images of a Japanese tea house I realized that I wanted to look mostly into tea houses and their geishas, but also native Japanese plants, as they are used greatly in Japanese interior design. And I chose to create a kimono as my final piece, but a very simple but effective.
To start collection secondary research about japan I used the web page https://gb.pinterest.com/ to gather images and ''pin'' them onto my account. I used these images throughout my project to create my sheet work and my sketchbook. To collect my primary research I went to the Leeds royal armory where they had a section on traditional Japanese armor, which worked well for my as I was looking mainly into traditional Japanese art.
I pieced together my research onto A2 mood boards, which I then used to create 2 visual sheets where I developed the images on my mood boards into my own images and patterns. From these visual sheets I created three development sheets. On each of my development sheets I used a different plant as my focus.
I decided to use my cherry blossom development sheet to create my final design as I thought my other two ideas had too much block color, and my cherry blossom idea was more delicate and interesting.
originally I wanted to make my kimono from heavy silk, but when I added up the cost of how many meters of heavy silk I’d need, I realized that I didn’t have enough money to make it from heavy silk. So I had to decide to make my kimono out of silk, even though this is not traditionally the correct material to use.
In the project I experimented by doing a piece of fabric making, which is where you create fabric out of strips of different fabrics by sewing them together.
Throughout this project I have en-counted a few problems the main one being money, but to solve this I simply used the cheapest fabric, which Is cotton, rather than using silks or satins, even though this held me back on the amount of experimentation I could do when doing my samples, also it meant that I couldn’t make my kimono out of heavy silk like I wanted to. Also while trying to do my blog, I was unable to upload photographs of my work, which has affected my blog greatly.
If I had no time constraints I would have made a traditional kimono out of heavy silk and created a design that would have covered the whole of the kimono rather than just the bottom half and the sleeves.
Throughout this project I have been looking at the Japanese painter and wood cut artist, Hokusai. I found his work useful in my project because I was looking at traditional Japanese art, and Hokusai’s work is a large part of traditional Japanese art and is largely recognized all over the world.
I think what went well in this project was my sheet work and the final design I developed from them. What didn’t go so well was the my lack of money which resulted in me not being able to use the correct material, and also I would have like to do a lot more work into my sketchbook. So overall I could have used my time a little bit better and concentrated a little more on my sketchbook.
Originally in my project proposal I wrote I wanted to study mainly into plant and tea room interior, to create a set of floor pillows for a tea room, but I was then told I should push myself and create a kimono which was a good coincidence as I had just started looking into geishas. I found this project a little more challenging as past projects because of the amount and size of work, also I didn’t structure my time properly so I had a lot of work to do all at once, but as an overall I really enjoyed this project and its outcomes.

Wednesday 26 March 2014

Diary entry: Monday 24th March

Today I started my second mood board, and started looking more into Japanese style pattern.

Friday 21 March 2014

Diary entry: Friday 21st March

I started my first visual sheet, I did my background in tea, then used gouache to paint on paint my images and I am trying to develop on image/ pattern for my pillow print.

Diary entry: Thursday 20th March

Today i did an A4 piece of Japanese art to go inside my sketchbook.

Diary entry: Wednesday 19th March

Today I started collecting examples of business cards I then reviewed them  deciding if they were good or bad examples. I also finished my mood board.

Mood board: One

I started by preparing my background to my mood board by staining it with tea. Then painted with gouache paint and stuck on images I found that I found interesting.

Diary entry: Monday 17th March

Today I started looking at the Japanese artist Hokusai and created a page in my sketchbook based on his work, also I started a mood board.

Wednesday 12 March 2014

Professional practice: Buisness cards

 
These are buisness cards that I though were good examples as they are interesting and creative.

 
These are buisness cards that I thought were bad example as they are messy and don't look professional.

Final major project.


Background: For my final major project I will be focusing on Japan. I will be looking at both art and everyday life and culture. For my final product I am hoping to produce a set of pillows designed for a Japanese tea room. I decided to look at japan when I sat a piece of traditional Japanese art on Pinterest.
Focus: I will start by looking at Japanese artists who work in both textiles and other media, to start my research and help develop my ideas. I am going to look at native plants,  such as cherry blossoms and Japanese pine, as they are used a lot in Japanese art. I’m going to look at the design of tea rooms in japan, and the geishas. I will look at the geishas costumes, like kimonos, and also look at samurai costumes, because I’m focusing mainly on traditional Japanese culture, including religion. In japan there are two main religions; Buddhism and Shinto, Shinto being the more traditional so I will be focusing on it more than Buddhism. Also I will look at Japanese myths and legends as I find it very interesting and as it is used a lot in traditional art. To collect my primary research I am hoping to go to the Manchester museum, because they have a section on japan.
Artist of interest: Donna Watson and Mary Maru are both textile artists. Kiyokata Kaburagi and Hokusai are traditional artists.

Sunday 9 March 2014

Live brief: evaluation.



The project I have been working on is called ‘live brief’, in this project I was told to create a selection of sheet work, a sketchbook of research and a range of samples for a small clothing company from my local area. The design I was told to create was for an Avant grade dress, but it had to be in monochrome and one other colour, and the theme was sea invertebrates.
To start my project I collected a selection of research, both primary and secondary. To collect my primary research I went on a college trip to the Liverpool museum where I took photos in the aquarium of sea invertebrates so I could get a good idea of pattern at colour I could possibly use in my final design. I produced a sketchbook to record my research and to show my own ideas and sketches.
Once I had some research I produced a mood board of the secondary research I had collected, from this board I selected images and colour to take forward to my visual sheets. I produced two visual sheets from the images I developed from my mood board. From my visual sheets I produced two design development sheets with a strong colour theme and design, as I have to use these design development sheets to design my final design.
The parts of my sheet work I took forward into my designs were the colour theme of rd, yellow, pink and brown, and also the shell pattern and coral formations.
My experience in the print room for this project was over all okay, I did come across some problems, the most prominent problem was that due to the fact that I had never work on stretchy material, I have trouble re positioning my material to print my second screen., this created problems because due to not being able to line two of my prints up, I had to completely start them again, but this time I made sure that a kept the fabric taped down so that the design wouldn’t move and I could then line the second screen up fine.
Throughout this project I kept a diary of my progress and what I was doing, this really helped me keep track of my time and how long I have to do things.
Overall I am satisfied with my work,  the only problems I had with my work was in the print room, with lining up my prints.

Print room samples

Sample 1: A3 cotton
BG: Yellow MX3R 15ml
        Orange MX2R 5ml
S1: black BM 3ml
S2: black BM 1ml (grey)

I found this sample easy to do because I used cotton, and cotton is very easy to work with as it is not very stretchy so the first print on the the fabric doesn't move when it comes to doing the seconds screen print.

Sample 2:  A3 cotton
BG: yellow MX3R 10ml
        red MX2R 5ml
S1: black BM 3ml
S2: black BM 1ml (grey)

I found this sample easy to do because I used cotton, and cotton is very easy to work with as it is not very stretchy so the first print on the the fabric doesn't move when it comes to doing the seconds screen print. But with my second sample I  found that the grey colour didn't work as well, because the background colour was darker on this sample.

Sample 3: A3 habotai heavy silk
BG: red MX2R
S1: black BM 3ml
S2: black BM 1ml (grey)

using heavy silk was very difficult when printing, although this sample is the better of both my heavy silk samples because after I  printed the first screen on my 5th sample, which i did before this sample, I noticed that the pattern was impossible to line because of the fabric moving and being so stretchy, so with sample 3 I made sure I taped down the fabric so that it couldn't move to prevent having trouble lining up my design.

Sample 4: A3 habotai heavy silk
BG: red MX2R 15ml
        orange MX2R 5ml
        yellow MX3R 5ml
        turquoise MXG 5ml
S1: black BM 3ml

I didn't complete this sample due to problems with lining up as stated under sample 3. Also the outcome of the colour was different to what wanted, as I originally dyed it brown, but after washing the procion out i wasn't left with the colour i wanted.

Sample 5: A3 devore silk viscose
BG: red MX5B 15ml
        orange MX2R 15ml
        water 15ml
S1: devore.

this is my sample of devore only, and I only printed one screen because of lining up problems the same with sample 4. I think the colour came out nice and worked well with the project theme of the sea, as it is a very coraly colour.

Sample 6: A3 muslin (white)
BG: none.
S1: black BM 3ml
S2: brown RRT 3ml

mulin is nice to print on becuase the colours stay vibrant and seem to have a nice finish. also it is a very light material so I feel it fits nice with the theme of the sea, as it is very flowing.

Sample 7: A3 muslin (white)
BG: red MX2R 15ml
        orange MX2R 5ml
        yellow MX3R 5ml
        turquoise MXG 5ml
S1: black BM 3ml
S2: puff binder (no colour)

 mulin is nice to print on because the colours stay vibrant and seem to have a nice finish. also it is a very light material so I feel it fits nice with the theme of the sea, as it is very flowing. the colour on this fabric worked batter than on sample 4, as the colour I got after washing was more or less the same as before.




Tracings.

This is the tracing I produced for my final design. There are two sheets because i have two screens, one for each colour I used.


Friday 7 March 2014

print samples: dyeing the fabric

This my my dyed fabric before I printed on it. I used procion to dye my fabric. With procion you first have to dye you fabric, dry it, press it at 180 degrees, then wash the remaining dye out and then dry your fabric again.





sketchbook: part 2


















Saturday 1 February 2014

Primary research: Liverpool

To collect my primary research I went on a College trip to Liverpool, to the world museum.





Sketchbook: part 1






New project: Live brief.

I started my new brief, 'live brief'.
In this project I am going to produce a stretch of fabric that will then be judges against the rest of my class to be made into an avant-garde garment.
The colour theme is monochrome and one other colour and the print has to be based on invertebrate sea creatures. 

Friday 17 January 2014

'Natural vs. Manmade' project evaluation.



My project was called ‘natural vs. man made’, in this project I was asked to explore aspects of both nature and man-made. We did this by producing a sketchbook of research and art work, sheet work that develops my research into design ideas; I then used this design to print a one meter wallpaper sample.
To gather my primary research for man made I took a train to Leeds where I took pictures of the church and other interesting buildings and objects, I also used picture I had already took in the past. To gather my primary research for nature I went on a walk into the woods and took picture of the plants and landscape of the woods, again I also used past picture I had already taken.
After researching both nature and man made, I choose to focus my theme on nature. I choose to focus on nature because I felt that there was more to work with in nature, because everything comes from something natural, also there is more pattern and shape in nature.
After doing my research and deciding my theme I started developing it by producing A3 sheets of research. The first sheet I did was a mood board, this is where I put all me research on a sheet together. I then developed these into visual sheets where I took parts of my research that I liked and changed them into my own design theme, this is also where I got my colour theme from and where I decided that I was going to focus on winter as a sub theme. From these I produced a design idea which I then turned into a tracing for a screen that I would use to print my wall paper.
To accompany the project I did workshops in knitting, weaving and felting. Knitting, I think was the easiest for me to do because I already knew how to do the basics. I then did weaving, we started off on a peg loom, I enjoyed the peg loom because it was something new and I also found it too be quite easy. After the peg loom I then used the loom to produce a weave, I preferred this loom because I felt it made a nicer, more compact weave. I also did wet felting, I found this to be very time consuming, I then used a wet felting piece I had produced and needle felted onto it and really enjoyed it.
In this project I experimented on my samples with batik and puff binder, I also went on to use puff binder on my final print. During my print room experience in this project  I encountered a few problems, the main one was that my screen had not exposed properly, but I overcame this but going over the print again with a paint brush and the pigment to fill in the gaps where the screen hadn’t printed properly.
After producing my samples in the print room I had a design meeting with my class where I was put into a group of three where the other two people in my group evaluated my prints and chose which one they felt was the strongest print, this was then then print I was to produce as my final 1 meter print.
To do my final print I firstly prepped my background and then used the two screens I had to print onto the background. The two screens were different layers of my design; this enabled me to have more than one part to my design, in different colours.
Overall I think when went well was that I was able to overcome my problems I had in the print room. Also I found that I really enjoyed doing my sketchbook because of this entire thing I got to explore within my theme. I feel that the workshops were also very successful in that I think my overall outcome in doing things I haven’t done before was good.
Overall I think I used my time well, but I would have liked to develop my sketchbook a bit better. And I am overall pleased with my final print and the outcome of this project.